Tuesday, July 29, 2025

A BRIGHT MARK LEFT new exhibition at THIS______________Vancouver

A Bright Mark Left


A Bright Mark Left is a collaboration between three Vancouver-based visual artists—Shannon Pawliw, Charlene Vickers, and Jean Paul Langlois. While each artist works across various media, their practices centre on large-scale, colour-saturated painting. The title refers to the afterimage effect: the visual echo of a complementary colour that lingers in your perception—a flash, a burn, a bright silhouette that stays with you.

Colour tells stories, conveys emotion, and shapes perception. Each artist’s approach—whether grounded in ancestral connections, pop culture motifs, or quiet forms of protest—demonstrates how colour can embody histories, identities, and complex emotional landscapes. The resulting exhibition becomes a chromatic language that transcends words, inviting viewers to interpret and connect in deeply personal ways.

Through imaginative, surreal uses of bright colours and references to cultural artifacts such as science fiction, cartoons, and mythic landscapes, the works in A Bright Mark Left position colour as a portal to alternative realities, spaces of belonging, and transformation. Each artist explores colour as a means to transcend boundaries—whether cultural, historical, or conceptual.






Saturday, July 26, 2025

Ovoids Soundings- Hand Sewn, Beaded, Embroidery, Painted Ovoids

 

OVOID SOUNDINGS at Libby Leshgold Gallery, June 2024
dimensions 22' x 16'
 
Included in 2024 group exhibition,  Your Old Way Kind of Vision at Libby Leshgold Gallery curated by Daina Warren. In great company with Siku Allooloo, Catherine Blackburn, and Wally Dion. Organized with the ECU Aboriginal Gathering Place with installation help from Indigenous students. Plus many thanks to Steven Tong, and Jen.  Ovoid Soundings was part of group show Ascending Horizons at McMaster Museum of Art in January,8- June 21, 2025 curated by Alex Jacobs-Blum and Kim Anderson.  

Friday, July 11, 2025

FELLOWSHIP BLOUIN DIVISION MONTREAL

 "FELLOWSHIP" in collaboration with Macaulay + Co.

June 26 - August 23, 2025

At the invitation of Blouin Division, Macaulay + Co co-presents the work of five important Vancouver-based artists. The pieces selected are a meaningful communication between those whose works share a keen interest in form, experience, and materials. Artists: #danaclaxton #laurencrazybullart #michellesoundart  #charlenevickers #lawrencepaulyuxweluptun #blouindivision #macaulayandco #montrealcontemporaryart #vancouverindigenousart 



















Thursday, May 8, 2025

CHARLENE VICKERS BIO 2025

 

Encompassing a wide range of media — including painting, sculpture, performance and installation — the practice of Charlene Vickers operates as a visionary expression of what the artist terms embodied territory. Giving vital form to the lands, histories and relations of her birthplace in Wauzhushk Onigum as they are felt, imagined and carried across distance, Vickers’ works lucidly manifest ancestral connections, cultural reclamations and her territorial presence as Anishinaabe Kwe, while responding formally to the Coast Salish land she has resided upon for the past thirty years.


Recent exhibitions and accolades include 2025 Sobey Award Long List, Indian Theatre, curated by Candice Hopkins at CCS BARD Hessel Museum in Hudson, NY (2023), Reverberations: Contemporary Art and Modern Classics at the Seattle Art Museum (2023), Good Foot Forward, curated by Kitty Scott, Toronto (2023), Big Blue Smudge, The University of Saskatchewan (2022), Ancestral Gesture, a solo exhibition at the Contemporary Art Gallery in Vancouver (September 2021), Rain Shadow at the Nanaimo Art Gallery (2021), Where Do We Go From Here? at the Vancouver Art Gallery (2020), the Biennale national de sculpture Contemporaine 2020 in Quebec, An Assembly of Shapes, Oakville Galleries, I continue to shape, Art Museum, U of T, Toronto, and Speaking From Hands and Earth, SFU Galleries, Burnaby and Ambivalent Pleasures at the Vancouver Art Gallery, Vancouver,(2016). International group exhibitions include the map is not the territory at the Portland Art Museum, Oregon (2019), Connective Tissue: New Approaches in Contemporary Fibre Art at MoCNA in Santa Fe, NM (2017), From The Belly of The Beast at Grace Gallery in Brooklyn, N.Y. (2017), If We Never Met, Pataka Art Museum, Porirua, New Zealand (2016). Charlene Vickers graduated from Emily Carr University of Art and Design (94) and Simon Fraser University in Critical Studies of the Arts (98), MFA (2013).- From Macaulay and Co Website

Macaulay + Co. Fine Art |


 On Now: Jan 8- June 20, 2025
Ascending Horizons at McMaster Museum of Art. Curated by Alex Jacobs-Blum and Kim Anderson. Group show with Carrie Allison, KC Adams, Judy Anderson, Hannah Claus, Elizabeth Doxtater, and Marie Watt.


                                  Ancestor Sound Performance gear and Ovoid works